Saddam's Palace by
Martha Rosler
This is a masterfully put together photo montage of a
middle-aged woman cleaning her couches and a soldier wandering in a destroyed
building. The exposure is perfect and the motion is very fun to observe. Martha Rosler’s technique at capturing
individual detail in the background as well as the foreground is admirable,
because it’s hard to tell whether the subject should look at the battleground
or the woman cleaning. This unusual
combination of wartime chaos and domestic tranquility are completely
incompatible with each other. For example, the soldier and woman are so
engrossed in their own world they don’t notice the other world exists. And the aesthetic surroundings of the sitting
room completely clash with the ugly war-torn scene. This photograph is too
politically minded for me to consider it a masterpiece, but this photo is still
very eye-clashing.
This photograph’s mood is quite
tranquil at first glance, but, at second glance, are two completely different
moods “smashed” together. For example, the mood in the battlefield is a
devastating, and eerily calm, like the eye in a hurricane. And the mood in the
foreground is very happy and content. Rosler’s intention to bring war home to America has
certainly been achieved. This paragraph perfectly is described by the following
quote “. . . Rosler has become increasingly brazen
in illustrating America’s
connection to the terrors of war. Saddam’s Palace states that, as the United States
so ‘delicately’ attempts, simply glossing over a mess with a slight and
temporary fix doesn’t fool anyone. . .” (Burnaway). This photograph is very unsettling and makes
me very uncomfortable. The fact that the
woman is moving while the soldier is standing completely still is very . .
.disturbing almost.
http://www.burnaway.org/2008/10/martha-rosler-bringing-the-war-home-at-emory-visual-arts-gallery/